![Adapted Bronica 100-220mm f/4.8 PE Aspherical IF on a Nikon D5200 [ Konica AR 50mm f/1.7 @ f/11 ]](https://www.lumiworx.humantextures.com/storage/cache/images/000/051/adapted-Bronica100-220mm,large.1587463407.jpg)
For anyone who's chosen to use legacy lenses on digital bodies, the initial lens choices would likely be any of the zillions of manual focus 35mm full frame types. They are plentiful and cheap. They are however, not the only choice. Read more
A Rolliei Heidosmat 150mm f/3.5 Projector lens, getting fitted up with a test assembly for an adaption test run.
Rollei Heidosmat 150mm f/3.5 Projection lens conversion test shot - PP w/ Noise reduction, Contrast/Tone/CA
Rollei Heidosmat 150mm f/3.5 Projection lens conversion test shot - PP w/ Contrast/Tone/CA
Rollei Heidosmat 150mm f/3.5 Projection lens conversion test shot - PP w/ Contrast/Tone/CA
Rollei Heidosmat 150mm f/3.5 Projection lens conversion test shot - PP w/ Contrast/Tone/CA
Rollei Heidosmat lens in a trial conversion setup, using a stacked Bronica ETR to Nikon F adapter, and a Nikon F to Sony E adapter.
A mid to late 1960's twin lens reflex camera from Yashica geared for pros, that uses 220 roll film (and later, w/ 120 or 220) in 6cm x 6cm format [Zeiss VS 35-70mm f/3.5 - 70mm @ f/8 ]
A Zenza Bronica 45-90mm f/4-5.6 PE Aspherical lens adapted to a Sony A7R with dual mount adapters, from ETR, to Nikon n-Ai, to E-Mount [ Yashica AF 60mm Macro @ f/8 ]